Elvis - A Lighted Candle

[Rainbow Light]

I would like to start a thread on Elvis' musical influences, am starting off with Mario Lanza and include some info as follows:-

Mario Lanza
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Mario Lanza as Giuseppe Verdi's Otello.Mario Lanza (31 January 1921 – 7 October 1959) was an American tenor and Hollywood movie star who enjoyed success in the late 1940s and 1950s. His voice was considered by many to rival that of Enrico Caruso, whom Lanza portrayed in the 1951 film The Great Caruso. Lanza was able to sing all types of music. While his highly emotional style was not always universally praised by critics, he was immensely popular and his many recordings are still prized today.

Contents [hide]
1 Operatic career
2 Film career
3 Filmography
4 Select recordings
5 References
6 External links



[edit] Operatic career
Born Alfredo Arnold Cocozza in Philadelphia, Pennsylvania, he was exposed to opera and singing at a young age, and by the age of 16 his vocal talent became apparent. Starting out in local operatic productions in Philadelphia, he later came to the attention of conductor Serge Koussevitzky, who provided young Cocozza with a full student scholarship to the Berkshire Music Festival at Tanglewood in Massachusetts. Koussevitzky would later tell Lanza that, "Yours is a voice such as is heard once in a hundred years."

His operatic debut, as Fenton in Otto Nicolai's Die lustigen Weiber von Windsor, was at Tanglewood on August 7, 1942, after studying with conductors Boris Goldovsky and Leonard Bernstein. It was here that Cocozza adopted the stage name Mario Lanza, which is the masculine version of his mother’s name. His performances at Tanglewood won him critical acclaim, with Noel Straus of The New York Times hailing the 21-year-old tenor as having "few equals among tenors of the day in terms of quality, warmth, and power."

His operatic career was interrupted by World War II, when he was assigned to Special Services in the U.S. Army Air Corps. He appeared on the wartime shows On the Beam and Winged Victory while in the Air Corps. He also appeared in the film version of the latter (albeit as an unrecognizable member of the chorus).

He resumed his singing career in October 1945 on the CBS radio program Great Moments in Music, where he made six appearances singing various operatic selections. He later studied under Enrico Rosati for fifteen months, then embarked on an 86-concert tour of the United States, Canada and Mexico between July 1947 and May 1948 with George London and Frances Yeend. In April 1948, he sang Pinkerton in the New Orleans Opera's Madama Butterfly to great acclaim. A concert at the Hollywood Bowl brought Lanza to the attention of MGM's Louis B. Mayer, who signed Lanza to a seven-year film contract with Metro Goldwyn Mayer. This would prove to be a turning point in the young singer's career.


[edit] Film career
MGM's contract with Lanza required him to commit to the studio for six months, and at first Lanza was able to combine his film career with his operatic one, singing two acclaimed performances as Pinkerton in Madama Butterfly for the New Orleans Opera Association in April 1948. He also continued to perform in concert, both in solo appearances and as part of the Bel Canto Trio with George London and Frances Yeend. In May 1949, he made his first commercial recordings with RCA Victor. However, his first two starring films, That Midnight Kiss and The Toast of New Orleans, were very successful, as was his recording career, and Lanza's fame increased dramatically.

In 1951, Lanza portrayed Enrico Caruso in The Great Caruso, which proved to be an astonishing success. At the same time, his popularity exposed Lanza to intense criticism by music critics, including those who had praised his work years earlier.


Mario Lanza as Lt. Pinkerton and Kathryn Grayson as Cio-Cio San of Madama Butterfly in their 1950 picture The Toast of New Orleans.In 1952, Lanza was dismissed by MGM after he had pre-recorded the songs for The Student Prince. His love of food as well as alcohol made his weight balloon from around 185 to nearly 270 pounds at any given time making his appearance in the role impossible. Studio heads found his drinking especially hard to deal with. A binge drinker, he proved to be difficult to deal with when intoxicated. The film was subsequently made with actor Edmund Purdom miming to Lanza's vocals. During this period Lanza came very close to bankruptcy as a result of poor investment decisions made by his former manager, and his lavish spending habits left him owing about $250,000 in back taxes to the IRS. Lanza withdrew from the public eye for a time.

He returned to an active film career in 1956 in Serenade; despite its strong musical content, it was not as successful as his previous films. Lanza then moved to Rome, Italy in May 1957, where he worked on the film Seven Hills of Rome and returned to live performing in a series of acclaimed concerts throughout Britain, Ireland and the European Continent. In early 1958, he auditioned for the management of La Scala in Milan, and was immediately offered a minimum two-year contract to sing at that theatre. The opera initially discussed was Puccini's Tosca. Later that year, Lanza also agreed to open the 1960/61 season at the Rome Opera as Canio in Pagliacci. At the same time, however, his health began to decline, with the tenor suffering from a variety of ailments, including phlebitis and acute high blood pressure. The old habits of too much food and drink compounded his problems. The following year, in April 1959, Lanza suffered a minor heart attack, followed by double pneumonia in August. He died in Rome in October of that year at the age of 38 from a pulmonary embolism. His widow, Betty, moved back to Hollywood with their four children and died of a drug overdose five months later; the younger of their two sons died of a heart attack at the age of 37. Soprano Maria Callas would later say of him, "My biggest regret is not to have had the opportunity to sing with the greatest tenor voice I've ever heard."

Lanza's short career covered opera, radio, concerts, recordings, and motion pictures. He was the first artist for RCA Victor Red Seal to receive a gold disc. He was also the first artist to sell two and half million albums. A highly influential artist, Lanza has been credited with inspiring the careers of successive generations of opera singers, including Plácido Domingo, Luciano Pavarotti, Leo Nucci and Jose Carreras, as well as those of singers with seemingly different backgrounds, and influences, his RCA Victor label-mate Elvis Presley being the most notable example. In 1994, tenor José Carreras paid tribute to Lanza in a worldwide concert tour, saying of him, "If I'm an opera singer, it's thanks to Mario Lanza."


[edit] Filmography
Winged Victory, 1944 (uncredited chorus member)
That Midnight Kiss, 1949
The Toast of New Orleans, 1950
The Great Caruso, 1951
Because You're Mine, 1952
The Student Prince, 1954 (voice only, see article)
Serenade, 1956
Seven Hills of Rome, 1958
For the First Time, 1959

[edit] Select recordings
The Mario Lanza Collection RCA 1991
Mario Lanza The Legendary Tenor RCA 1987
The Great Caruso RCA 1989
Mario! Lanza At His Best RCA 1995
Mario Lanza Live at Hollywood Bowl: Historical Recordings (1947 & 1951) Gala 2000
Mario Lanza Sings Songs from The Student Prince and The Desert Song RCA 1989
Serenade/A Cavalcade of Show Tunes RCA 2004
Mario Lanza: Opera Arias and Duets RCA 1999
Christmas With Mario Lanza RCA 1987
Mario Lanza: The American Caruso [Kultur Video] [1999] - A 1983 documentary hosted by Plácido Domingo.


Please feel free to add your own posts, articles etc.

Thanks & best wishes, Sue

[MaryInTheMorning]

Thank you so much for posting this for us dear Sue! It was very interesting to read. Whenever I hear or listen to Elvis' rich and beautiful voice, it is easy to see and hear the influence that Mario had on him. So powerful yet beautifully gentle at the same time-AMAZING!!

[Amanda Viola]

Thank you Sue-Lenora, for taking this iniciative!

[Rainbow Light]

You're very welcome, Mari and Amanda! Glad you found this of interest and would say to anyone on ELC to please feel free to add any other posts to add on? Thanks!

[Regina- Jewel]

Roy Orbison

Elvis sang Roy's Hit "It's Over" as Roy sat in the audience and after Elvis was done he said on the microphone: "Quite simply, the greatest singer in the world, Roy Orbison".
In 1979 Roy wrote a song about Elvis called Hound Dog Man..

Roy Kelton Orbison (April 23, 1936 – December 6, 1988), nicknamed "The Big O," was an influential Grammy Award-winning American singer-songwriter, guitarist and a pioneer of rock and roll whose recording career spanned more than four decades. Orbison is best known for the songs, "Ooby Dooby," "Only The Lonely," "In Dreams," "Oh, Pretty Woman," "Crying," "Running Scared," and "You Got It." In 1987, he was inducted into the Rock and Roll Hall of Fame, and in 1989, he was posthumously inducted into the Songwriters Hall of Fame.

Contents [hide]
1 Biography
1.1 Early life and career
1.2 Breakthrough
2 Career Decline in North America
3 Success Outside North America
4 Career in the 1970s
5 Resurgence in the 1980s
6 Personal Life
7 Death
8 Legacy
9 In Popular Culture
10 Discography
11 See also
12 Notes
13 References
14 External links



[edit] Biography

[edit] Early life and career
Orbison was born in Vernon, the seat of Wilbarger County in north Texas. He was the second son of Nadine Shults and Orbie Lee Orbison. After having first moved to Fort Worth around 1943 to find work in the munitions and aircraft factories which had expanded during Second World War, the family moved to the West Texas oil town of Wink in Winkler County near the border of New Mexico, in late 1946. Music was an important part of his family life.

In 1949, at the age of thirteen, Orbison organized his first band "The Wink Westerners". When not singing with the band, he played guitar and wrote songs. The band appeared weekly on KERB radio in Kermit, Texas. Orbison graduated from Wink High School in 1954. He attended North Texas State College in Denton, Texas for a year, then enrolled at Washington State University in Pullman, Washington, the following year to study history and English. The Wink Westerners had some success on local television, and were given 30 minute weekly shows on KMID and KOSA. One guest on their show was Johnny Cash, who advised them to seek a contract with his record producer Sam Phillips of Sun Records. At first, Phillips turned them down, but he eventually agreed to the band to Sun Records' roster after hearing a recording made at Norman Petty's studio in Clovis, New Mexico. The Wink Westerners were renamed "The Teen Kings", and Orbison left college in March of 1956, determined to have a career in music. He ultimately headed for Sun Records in Memphis, Tennessee.

Orbison achieved his first commercial success in June 1956 with "Ooby Dooby", written by Orbison's friends from college, and produced at Norman Petty's studio in Clovis, New Mexico. Many of the earliest songs he recorded were produced by Sam Phillips, who also produced Jerry Lee Lewis, Carl Perkins, Johnny Cash, and Elvis Presley. Named after his first wife, his song "Claudette" was recorded by the Everly Brothers as the b-side to their No. 1 hit, "All I Have To Do Is Dream". The rockabilly and blues sound of Sun's artists brought Orbison little success and his career seemed over, although fans of rockabilly count his records among the best of this genre. He worked at Acuff-Rose Music in Nashville, Tennessee as a songwriter, and then was given a contract by RCA. Eventually, Chet Atkins referred him to Fred Foster, the owner of Monument Records, where he moved after his contract with RCA ended in 1959.


[edit] Breakthrough
In 1957, Orbison met songwriter Joe Melson in Odessa, Texas. After hearing a song Melson had written entitled "Raindrops", which featured melodic twists and lyrical styling, Roy soon asked him to write with him. Together they created a sound unheard of in rock and roll at the time: the dramatic rock ballad. Fred Foster liked the new direction and assisted with the writing team's vision. Roy's first record, "Uptown", was moderately successful. With the release of "Only the Lonely" and its immediate rise to the top of the charts (#2 in the US, #1 in the UK), he went on to become an international rock and roll star. His single, "Runnin' Scared" became a US #1 hit. Later, Roy wrote many songs with writer Bill Dees including "Oh, Pretty Woman" which may be the most well-known song of Roy's career. Throughout his stay at Monument Records, his backup band was a group of studio musicians led by Bob Moore. The play of Orbison's voice against the dynamic, yet uncluttered sound of the band gave Orbison's records a unique and identifiable sound.

Orbison was a powerful influence on contemporaries such as The Rolling Stones. In 1963, he headlined a European tour with The Beatles. He became lifelong friends with the band, especially John Lennon and George Harrison. Orbison would later record with Harrison in the Traveling Wilburys. During their tour of Europe, Orbison encouraged the Beatles to come to the United States. When they toured America, they asked Orbison to manage their tour, but his schedule forced him to decline.

Unlike many artists, Orbison maintained his success as the British Invasion swept America in 1964 in music. His single, "Oh, Pretty Woman", broke the Beatles stranglehold on the Top 10, soaring to No. 1 on the Billboard charts. The record sold more copies in its first ten days of release than any single up to that time, and eventually sold over seven million copies. The song later became the signature tune for the film Pretty Woman, named for his song, which brought fame to actress Julia Roberts.

Orbison toured with The Beach Boys in 1964, and with The Rolling Stones in Australia in 1965. He was successful in England, logging three No.1 hit singles and was voted top male vocalist of the year several times.


[edit] Career Decline in North America
Orbison signed a contract with MGM Records in 1965, and starred in MGM Studios' western-musical motion picture 'The Fastest Guitar Alive, in which he performed several songs from an album of the same name. Due to changes in musical taste, he had no hits in the U.S. after 1967. He remained popular elsewhere, but his American popularity did not recover until the 1980s.


[edit] Success Outside North America
Songs that had limited success in North America, such as "Penny Arcade" and "Working for the Man" would go to No. 1 on the Australian charts, and "Too Soon to Know" went to No. 3 in England. His popularity extended to Germany, and he recorded his hit song "Mama" in German. His records were in great demand on the "black market" behind the Iron Curtain. In France, he was viewed as the master of the ballad of lost love in the vein of that country's most popular singer Édith Piaf. A cover version of Orbison's "Blue Bayou" sung in French by Mireille Mathieu went to the top of France's record charts. Fans in the Netherlands founded his largest world-wide fan club. He continued to perform in Ireland, despite the constant terrorist activities in Northern Ireland. In 1972, Orbison covered the popular Irish anthem, "Danny Boy", featured on his album, Memphis.


[edit] Career in the 1970s
In 1973, Orbison's contract with MGM ended and he signed with Mercury Records soon after. He released a country style album on the label entitled I'm Still In Love With You. The original liner notes stated said how Orbison's career was suffering, and the lack of hits he had in the States. According to the notes, that was to change with the release of the songs on the album. The song, "Sweet Mama Blue", which is considered another rare and overlooked song, was a single from the album, but failed to chart.

In 1976, Orbison resigned with Monument Records, hoping to revive his career. Orbison re-teamed with Fred Foster for the album Regeneration. The album failed to make an impact with the public, and despite enough material yet for another album to be released, Orbison asked Foster to be released from his contract in 1978.

In 1977, multi-Grammy winning vocalist Linda Ronstadt included "Blue Bayou" in her triple-platinum album Simple Dreams. The single reached No. 3 on the Billboard singles chart and was certified platinum by the RIAA. Ronstadt's interpretion of "Blue Bayou" is Orbison's greatest commercial songwriting success, with the single having reported sales of over 7 million copies sold worldwide.

Orbison continued to tour heavily in the late 1970's, and at times, non-stop for weeks at a time. That all came to a halt in late 1977 when he discovered that he needed open heart surgery following a heart attack at the age 41. On January 18, 1978, Orbison underwent the operation and until he passed away in 1988, he had a new lease on life and his voice and music would become as big, if not bigger than it did in the early 1960s.

Orbison's last contract in the 1970's came in 1979, with Elektra/Asylum Records where he finished the album Laminar Flow. The album was a new direction for him, as it was his attempt at doing disco. The album also features a tribute song to Elvis Presley, who died in 1977, "Hound Dog Man". Presley was a fan of Orbison's and during a show in Las Vegas in 1976, he called Orbison "the greatest singer in the world" [1]According to Orbison's brother, Sam Orbison, Roy was "saddened by the sordid treatment of Elvis Presley in the aftermath of his death in 1977".[2]


[edit] Resurgence in the 1980s
In 1980, Orbison teamed with Emmylou Harris for the song, song "That Lovin' You Feelin' Again". The song would go on to win the 1981 Grammy Award for Best Country Performance by a Duo or Group with Vocal. In 1985, Orbison recorded "Wild Hearts" for the Nicolas Roeg film Insignificance, released on the ZTT Records label, produced by David Briggs and Will Jennings. The inclusion of "In Dreams" in the 1986 David Lynch film Blue Velvet also aided Orbison's return to popularity. He was inducted into the Rock and Roll Hall of Fame in 1987, with the induction speech made by Bruce Springsteen (who had famously referenced Orbison and "Only the Lonely" in his 1975 song "Thunder Road"). His pioneering contribution was also recognized by the Rockabilly Hall of Fame.

Having signed a recording contract for the first time in 10 years, with Virgin Records, he re-recorded his 1961 hit song "Crying" as a duet with k.d. lang in 1987 for the soundtrack of the motion picture Hiding Out. The song would earn the Grammy Award for Best Country Collaboration with Vocals.

In 1988, Roy Orbison and Friends, A Black and White Night, a black-and-white HBO television special was recorded at the Coconut Grove in the Ambassador Hotel in Los Angeles. Orbison was accompanied by a who's-who supporting cast organized by musical director T-Bone Burnett. All were fans and all were volunteers who lobbied to participate. On piano was Glen Hardin, who played for Buddy Holly as well as Elvis Presley for several years. Lead guitarist James Burton had also played with Presley and Ricky Nelson. Male background vocals, with some also playing the guitar or piano, came from Bruce Springsteen, Tom Waits, Elvis Costello, Jackson Browne, J.D. Souther and Steven Soles. Jennifer Warnes, k.d. lang and Bonnie Raitt provided female background vocals. He was also joined by percussionist Michael Utley, a long time member of Jimmy Buffett's Coral Reefer Band. The special brought Orbison to the attention of a younger generation.

Shortly after this critically acclaimed performance, while working with Jeff Lynne of Electric Light Orchestra on tracks for a new album, Orbison joined Bob Dylan, George Harrison, Jeff Lynne and Tom Petty to form the Traveling Wilburys, achieving substantial commercial and critical success. He subsequently recorded a new solo album, Mystery Girl, produced by Orbison, Mike Campbell (of Tom Petty's Heartbreakers) and Jeff Lynne. It included one track by U2's Bono (who also wears trademark dark glasses and co-wrote the song "She's a Mystery to Me" with the Edge specifically for Orbison). At an awards ceremony in Antwerp a few days before his death, Roy Orbison gave his only public rendition of the hit "You Got It" to the applause of a huge crowd.


[edit] Personal Life
Orbison endured a great deal of tragedy in his relatively short life. His first wife, Claudette Frady died in a motorcycle accident on June 6, 1966 in Gallatin, Tennessee. On September 14, 1968, the Orbison family home at Old Hickory Lake in Hendersonville, Tennessee, burned to the ground while Orbison was touring in England. Two of his three sons, Roy Jr. (b. 1958) and Anthony (b. 1962), died in the fire. His youngest son Wesley, who was three at the time, was saved by Orbison's parents.

Orbison met his second wife Barbara Orbison in August 1968 in Bately, West Yorkshire, England. They were married in Nashville on May 5, 1969, and built a new house one block away from where Roy's old house had once stood.


[edit] Death
On December 6, 1988, at the age of 52, Orbison suffered a fatal heart attack while visiting his mother in the Nashville suburb of Hendersonville, Tennessee. A hospital spokeswoman confirmed Roy was pronounced dead at 11:54 PM, local time. This news was relayed to BBC News {UK}. [3]

At the direction of his wife Barbara, Orbison was interred at the Westwood Village Memorial Park Cemetery in Westwood, California on December 15, 1988. His two sons and their mother Claudette, who predeceased him, had been laid to rest at his request in the Woodlawn Memorial Park Cemetery in Nashville.

Orbison's album, Mystery Girl, and the single, "You Got It," were posthumous hits, and are generally regarded as Orbison's best work since the 1960s. At the time of his death, he was the first person since Elvis Presley to have two albums in the top 5 (Mystery Girl and Traveling Wilburys). He was the posthumous winner of the 1991 Grammy Award for Best Male Pop Vocal Performance, and in 1992, the tracks "I Drove All Night" and "Heartbreak Radio" appeared on the posthumous album, King of Hearts, produced by Jeff Lynne.


[edit] Legacy
Orbison is best remembered for his ballads of lost love and in the music community, he is revered for his song writing ability. Record producer and Orbison fan Don Was, commenting on Orbison's writing skills, said: "He defied the rules of modern composition". Songwriters such as Elton John and Bernie Taupin along with many others referred to Orbison as "far ahead of the times, creating lyrics and music in a manner that broke with all traditions". Roy Orbison's vocal range was impressive (four octaves), his voice effortlessly powerful, and his songs were melodically and rhythmically advanced and lyrically sophisticated, often incorporating the bolero form.

Three songs written and recorded by Orbison, "Only The Lonely", "Oh, Pretty Woman" and "Crying" are in the Grammy Hall of Fame.
In 1989, Orbison was inducted posthumously into the Songwriters Hall of Fame.
In 1998, Orbison was honored with the Grammy Lifetime Achievement Award.
In 2004, Rolling Stone named those three songs plus "In Dreams" on its list of the "500 Greatest Songs of All Time". The same year, the magazine ranked him #37 on their list of the 100 Greatest Artists of All Time.[4]
Multiple Academy Award–winning songwriter Will Jennings ("My Heart Will Go On", from the Titanic soundtrack) called him a "poet, a songwriter, a vision" after working with him and co-writing "Wild Hearts."
Bob Dylan, later a band mate of Orbison's in the Traveling Wilburys, wrote "Orbison … transcended all the genres. … With Roy, you didn't know if you were listening to mariachi or opera. He kept you on your toes. … [He sang] his compositions in three or four octaves that made you want to drive your car over a cliff. He sang like a professional criminal. … His voice could jar a corpse, always leave you muttering to yourself something like, 'Man, I don't believe it'. His songs had songs within songs. Orbison was deadly serious–no pollywog and no fledgling juvenile. There wasn't anything else on the radio like him".
Bill Kenwright referred to him as "the Caruso of Pop" on the BBC program Any Dream Will Do after one of the candidates sung Orbisons's "Crying".
In 2006, Orbison was remembered with a new book that fans from around the world came together and wrote with main author Chris O'Neil. The book titled Straight From Our Hearts was a hit among fans on both sides of the Atlantic and even Barbara Orbison has asked for a copy to keep at the Orbison office located in Nashville. The book was a series of stories from fans describing how Roy impacted their lives and many tributes were also contained in the book. On December 7th, it was announced that a second volume of the book would be published. It is set to be released in 2008, which will mark the 20th anniversary of Roy's passing. In addition to the book, a cd, The Essential Roy Orbison, was released to huge fan praise; it contained many rare songs including "Life Fades Away", which was previously only available on the long-out-of-print soundtrack to Less Than Zero. The collection charted into the top ten in seven countries, and has opened the door to upcoming releases of unheard Orbison material that fans have been longing for.

In addition to Roy's many commercial releases, there have been many bootlegged releases that have surfaced over the years. One of the most popular Orbison bootlegs is the 1981 recording of his "Country Club" concert, which was originally slated to be released as a made-for-TV comeback concert. The concert footage has never been officially released, but it is considered by fans to be one of the best Orbison bootlegs available.
On June 12, 2007, The Traveling Wilburys Collection box set was released worldwide to huge sales topping over one million copies plus. It was also the first time in more than ten years that the original masters were available.
A reissue of Orbison's last two studio albums, Mystery Girl and King of Hearts, are slated for release on October 23, 2007. It will be the first time in more than fifteen years that King of Hearts will be available again to the public.

[Wanda June Hill]

Thanks for posting all of that Regina-Jewel-he's one of my favorites too and it is very true that Elvis thought his voice was spectacular and far surpassed his own...and said so on stage. He liked Running Scared and did it and I think another one of his that you mentioned but I can't recall now...darn, Im getting a 5 second memory or something at times-know what that means! Crap! Oh well, that's life. I just have too much on my mind...sure, must be it. Anyway, I enjoyed reading about Roy O. and have to say that he's up there pretty high on my list too and there aren't many on that list! wjh.

[MaryInTheMorning]

My thanks to you as well dear ReGina-Jewel for posting all of this great information about Roy Orbison. He's up on my list too Wanda and I've always loved his song "You Got It." I remember reading in Jerry Schilling's book about a "road trip" he was taking with Elvis and Elvis, after listening to one of Roy's songs over and over, went on and on to Jerry detailing every aspect and nuance of Roy's voice and singing style and how much he really liked it!!!

[Wanda June Hill]

Yeah, you can bet that when Elvis finished, Jerry had a "complete" understanding of Roy's voice, style and every other little detail that could be put into words!!!
Jerry was a "trapped" audience too! How funny, I would have loved watching and listening to that session. wjh

[MaryInTheMorning]

Yeah, you can bet that when Elvis finished, Jerry had a "complete" understanding of Roy's voice, style and every other little detail that could be put into words!!!
Jerry was a "trapped" audience too! How funny, I would have loved watching and listening to that session. wjh

No doubt about that dear Wanda--- a "complete" understanding for sure!! I really would have loved watching and listening to that session too!

[Rainbow Light]

Excellent article and information posted here! Many thanks, Gina!! A great example of Elvis' musical influence and I also admire Roy Orbison too and his songs, fantastic!

Totally agreed too, Wanda and Mari as above!